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Once again, it seems, the awful dynamism of the wicked proves more enticing than the plight of the good, caught underfoot.You are about to enter a website that contains explicit material (pornography). Which is pretty much exactly what a show about her murder shouldn’t do. By episode five (which is as far as I’ve gotten), Brenda has almost disappeared she’s become more of an idea than an actual person.
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It promises an interconnected thicket of finely drawn characters caught in a swirl of fanaticism, but spends too much time noodling around trying to create a heavy mood that will lend the series depth. On its own, though, the series is oddly glancing.
That’s an interesting dynamic that the show could have explored more, were it not busy trying to manage so much else.Īt its best, Under the Banner of Heaven is a suitable supplement to the book. And he’s Native American, connected to a lineage that has way more of a claim to this land than Dan and his brethren do, for all their clamoring about dominion. The actor Gil Birmingham plays Pyre’s detective partner, Bill Taba, who is oftentimes the only non-Mormon in the room. That puts him in stark contrast to the rest of the men in his family, who cast a disapproving eye on what they view as Brenda’s womanly violations. The youngest Lafferty, Allen ( Billy Howle), is an outlier: He’s Brenda’s husband, and at least meekly supports her career ambitions. There are other brothers, blending together into a soup of male entitlement. His older brother, Ron ( Sam Worthington), is a more run-of-the-mill asshole, cruel to his concerned wife, Dianna ( Denise Gough), and angry at his mean old bastard of a father, who favors Dan over Ron. Dan Lafferty ( Wyatt Russell) is the erratic, hard-charging Libertarian force of the family, inveighing against government taxation and turning to the atavistic codes of the old Mormon church-specifically relating to plural marriage and the subservience of women-for divine confirmation of his extremism. We watch with dread as Brenda is brought into the Lafferty fold, welcomed warmly at first but then pushed further to the margins as her brothers-in-law radicalize. The show gets more scattered as it goes, having trouble juggling (and distinguishing) its array of characters.
To us-who may have read Krakauer’s book, or watched HBO’s Big Love, or osmosed the story of Mormon fundamentalist leader Warren Jeffs from myriad reports about his horrid misdeeds-what Pyre discovers is all too grimly familiar. Through his eyes, ever widening in alarm, we are introduced to the Lafferty clan-a tangle of prideful, striving brothers-and the fundamentalism that ensnared several of them.
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The Oscar-winning screenwriter Dustin Lance Black-who grew up in the Mormon church-has taken a crack at the material, a long gestating labor of love that yields fitful results.īlack has decided to invent a detective character, devout Mormon Jeb Pyre ( Andrew Garfield), to guide us through the 1984 murder of Brenda Lafferty ( Daisy Edgar-Jones) and her daughter, Erica. And yet, here is a new six-episode series, Under the Banner of Heaven (FX, April 28), trying to do just that. Given its scope and heft, the book would seem pretty much unadaptable for the screen.
It’s compelling and frightfully enlightening on both fronts, a towering achievement of reportage, analysis, and good old fashioned storytelling. It is both a look into a particular murder-that of a young Mormon woman and her daughter, at the hands of her brothers-in-law-and a survey of the Mormon church’s entire troubled, sensational history. The author Jon Krakauer’s sweeping 2003 book Under the Banner of Heaven: A Story of Violent Faith could be called, in today’s vernacular, true crime+.